EYE on Art (previously known as E*Cinema and E*Cinema Academy) is a weekly programme where film meets the visual arts; a meeting place for everyone who is interested in film as an art form. EYE on Art keeps track of current events, offering shows relating to contemporary artists and special programmes to mark major exhibitions, manifestations and EYE activities. The series also focuses on the rich and animated history of the avant-garde film (Masters of the Avantgarde) and on experimental works and film programs by the new generation of filmmakers and curators (EYE’s Selected Artist’s Moving Images and the Research Labs).
The Research Labs provide scope for a new generation of curators and artists to hone their skills. In these Research Labs, students from different art academies and universities put together a programme involving their own work and films (including remixes) from EYE’s collection. The Research Labs as well do not follow a strict format and often result in a cultural crossover between film and other art forms. Within this context, EYE awards a prize for the best curated program and the best art/film work in collaboration with Heineken H41.
The Selected Artist’s Moving Images programs occur twice a year in EYE and they present the newest Dutch short experimental films, which have been recently included in the EYE experimental film collection. EYE promotes and distributes these works, often made by young directors, to international venues and makes them available for screening.
The programme of EYE on Art is not tied to a strict format: it ranges from artist’s talks by filming artists, film evenings put together by artists or special programmes to accompany art exhibitions. All editions of EYE on Art are in English; the are introduced by a talk, a piece of music or a brief performance.
EYE Filmmuseum is since the opening of its brand new museum building in 2012, much more than just a film archive. EYE’s mission is to collect, preserve and present Dutch film heritage. Experimental film is one of the 5 core collections of the museum, together with silent film, international, Dutch cinema and expanded cinema. An active policy on acquisition, preservation and presentation of experimental films is still what very much defines the nature of EYE resulting among others in the series EYE on Art.
The EYE film collection was established in 1946, when the first predecessor of EYE was founded: the Nederlands Historisch Filmarchief. In 1952, this became the Dutch Filmmuseum; and since 2010 it is called EYE. The experimental film subcollection in EYE dates to the 1920s, when the Dutch film movement, Filmliga, developed a penchant for foreign avant-garde films, and focused on the “pure” film in their presentation, filmmaking and collection activities.
In addition to the experimental film programming, preservation, collection and distribuition, EYE presents since 2012, once a year, an exhibition devoted to the history of the experimental avant-garde film, such as those made by Oscar Fischinger and Anthony McCall.
About the EYE experimental film collection –
About the experimental film in the Netherlands –
About Korte Film Poule –